It is common knowledge among theatre professionals that there are fewer good parts for women than for men. This is true not only in Shakespeare, but across the spectrum. Some may not be aware that, like in the movies, this increases with age. Middle aged women scarcely show up at all in stage plays; women seem to disappear between the ages of 35 and 65, when they are once again allowed as the voice of wisdom, someone to be mocked, or the kind and gentle old grandmotherly sort who picks up the slack when the younger woman’s mother (the you-know-what) runs out on her with the first trucker who accidentally slams the cab of his truck into the living room. And she takes the family dog, so everything is bad. That’s the woman we don’t usually see, or hear her side of the story, unless she comes back when she’s older, so that her now 20-something daughter can lambaste her with her awfulness and show the world how strong she is…oh, and reclaim the family dog.
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